Delights: March 6 to March 12

March 6:  I was jolted this morning by a surge of website creator energy. For a project I’m undertaking (and to refresh my website recollection), I opened Fashioned for Joy for the first time since 2024. Did I instantly remember how to create web pages? No. Was I infused, though, with wistfulness and delight? Absolutely yes.

So I sit before you, my eyes alight and my arms outstretched, reaching metaphorically back out to you after a fifteen-month absence. Today’s delight, I realize, is you, my dear reader-friends. I greet you. I salute you. I miss you. 

Remind me to tell you, some day, about my extraordinary trip to Paris!

March 7: My mother used to say that she needed to wear a girdle to the grocery store because she never knew who she’d meet. Exercise has spared me the girdle, but her point remains: at our weekly farmers market, I collect as many conversations as cucumbers.

Today my sister Dianne and I chatted with my old pals Dick and Patricia, who shape live-edge scavenged wood into furniture. We thanked the lady at Sexy Veggie who kindly sent us to Jack the Olive Oil Man for sun-dried tomatoes. I bumped into my friend Martha near the radishes. And the granola guy gave us yummy samples of roasted peanuts (for book club with Martha next week?). That vendor runs a business called “Family of Nuts.” My sister and I are quite sane; we simply allow 30 minutes to do five minutes of shopping.

March 8: Last autumn, my sister gave me about sixty daffodil bulbs for my front garden. This weekend, I proudly showed Dianne the shoots, including a handful of emerging tulips Kevin gave me. Good luck with those, Dianne predicted: They will eventually be food for the squirrels.

Well, they who taketh apparently sometimes giveth as well. For there in the back garden, shimmering in our resplendent sunshine, are a pair of crocus clusters. If I may borrow a term from the flamingos, a flamboyance of croci now sparkles in a place previously unadorned.

Looks like some squirrel forgot its snack, Kevin mused. Dear squirrel, let my eyes enjoy them for you.

I think calling these a “flamboyance of croci” is just right.

March 9:  Regarding that website creator energy, I will tell you about my latest project. I am six-feet deep in preparing a walking tour of historic Oakwood Cemetery in Falls Church, Virginia. Once a month from May to November, participants will encounter poets and soldiers, spies and villains, faith leaders and storekeepers, ornithologists and egg farmers. All I need to do is research, organize, write, publicize and practice this thing by May 24. As Jeremiah would exhort, “You’ve got this, Mom!” So, wish me luck!

Coincidentally, my last Delights post featured a photo from Oakwood Cemetery. I present it to you here, as a bit of cosmic continuity and evidence of the cycle of life.

March 10: In light of my extended hiatus, I feel I have a bit of catching up to do. So, on a day made delightful “merely” by warm temperatures, brilliant sunshine and the fresh-raked fragrance of spring garden beds, I’ll report on my docent adventures. 

When last we chatted, I was in the early overwhelming days of training to become a docent at the Smithsonian American Art Museum (SAAM). I have since completed the training, passed my tests and led more than twenty tours. I don’t lecture; rather, my emphasis is fostering engagement, curiosity and risk-taking. I’ve prompted 6th graders to decipher a license-plate version of the Preamble to the U.S. Constitution (it’s surprisingly moving to hear them declaim phrases like “secure the blessings of liberty to ourselves and our posterity”). I’ve guided a women’s club through Grandma Moses’ work and listened to memories of childhood visits to family farms. I’ve engaged people from across the country on complicated pieces of contemporary art. And I’ve gaped as teenagers guided me to fresh insights about a piece I’ve studied for hours.

I stagger away from my tours exhausted — and exhilarated. I’m not sure which of us is doing the educating.

We are Resting, by Anna Mary Robertson “Grandma” Moses, 1951, oil on high-density fiberboard, Smithsonian American Art Museum.

March 11: Another one of the surprising and wonderful things about being a docent at the Smithsonian American Art Museum is all the cultural enrichment we bestow upon ourselves. We remind our visitors that we tell America’s story through the visual arts, so naturally we need to visit historical sites. We help our visitors make connections among different schools of art, so naturally we need to form book clubs. As continuous learners, we need to study SAAM’s art and the art of viewer engagement; so we teach each other.

We also climb aboard buses for museum field trips – to admire the work of other artists and the skill of other docents. Today, we traveled to the Baltimore Museum of Art to see the exhibition Amy Sherald: American Sublime. Originally slated to appear at SAAM’s sister museum, the National Portrait Gallery, this exhibition reminded me why, for art that challenges me, I must look, and look again, with big doses of curiosity and humility. 

I have seen Sherald’s work before: I carried into the exhibition memories of her paintings’ matte colors, flat brushstrokes and gray-scale skin tones. 

I saw all those things today — and meticulous craft, gorgeous faces, and depths of interiority suggested by the figures’ props and completely transcending them. I rejoiced at the lyricism of certain titles. And I remembered, remembered, remembered: yearning or fearlessness or possibility or belief in oneself. None of this is explicit on the canvas or, necessarily, intended. Nevertheless, I found paintings that opened themselves to me.

If You Surrendered to the Air, You Could Ride It, Amy Sherald, 2019, oil on linen. Whitney Museum of American Art. This title is a sentence from Toni Morrison’s 1977 novel Song of Solomon.

Drawing from Lucille Clifton’s 1980 poem “what the mirror said,” a Sherald title reads, “Listen, you a wonder. You a city of a woman. You got a geography of your own.” 

Yes, I do. And so do you.

Listen, you a wonder. You a city of a woman. You got a geography of your own, Amy Sherald, 2016, oil on canvas. Collection of Rashid Johnson and Sheree Hovsepian.

March 12: Bam, crack, dot. Flower, soap dish, north wind. Green dragon. (But you have to sing it as though you were promoting, ho ho ho, frozen vegetables). On Thursday afternoons, I now play mahjong. 

My fingers savor the smooth cool tiles as I help mix them. My senses settle into the gentle rhythm of the tiles’ clack. My heart delights in the kindness of my new friends who patiently taught me how to play. (And gently correct me: “that’s one bam, Carol Ann, not one crack.”)

By the end of the afternoon, though, my brain is broken — as I constantly try to pivot mid-game to a less hopeless arrangement of tiles. (Thank goodness they are smooth and cool.)

“May you get a lot of jokers” we wish each other.  And sometimes we do. More often we don’t. But we always have fun. 

This is what I look like when I get mahjong. Kingdom, Amy Sherald, 2022, oil on linen. The Broad Art Foundation, Los Angeles.
Marvel with me at the technical brilliance of the reflections painted here. Kingdom (detail), Amy Sherald, 2022, oil on linen. The Broad Art Foundation, Los Angeles.

Readers, to receive notifications by email each time I make a post, just scroll all the way down this page (next to the “word cloud”), look to the left and click on the black button that says “Join Me!” And if you think a friend might enjoy these, please share the Delight!

If you’d like to browse my past delights, please consult the “word cloud” featured at the very bottom of this post. Find a theme or two that interests you and sift through the sands. Or learn a bit more about my Blog by visiting my Welcome page. You’ll also see links to four essays that were published in print magazines. I’m glad you’re here!

If You Surrendered to the Air, You Could Ride It (detail), Amy Sherald, 2019, oil on linen. Whitney Museum of American Art.

11 thoughts on “Delights: March 6 to March 12

    1. Carol Ann Siciliano's avatar

      Hi, Nes. Thank you for your greeting and your welcome!

      Liked by 1 person

  1. scdevito's avatar

    Carol Ann,I

    Like

    1. Carol Ann Siciliano's avatar

      Hi, Steve! Thank you for popping by to say hello. I’m glad we are in touch again!

      Like

  2. Shawne McGibbon's avatar
    Shawne McGibbon March 12, 2026 — 8:40 pm

    The Amy Sherald exhibit at the BMA was magnificent! I’ve seen it twice already.

    Like

    1. Carol Ann Siciliano's avatar

      Hi, Shawne. So nice of you to write! You’ve seen the Sherald exhibition twice?? Good for you. I saw it at the Whitney last summer, and I think the one in Baltimore was actually better. (How is that possible?) Which piece was the most memorable for you?

      Like

  3. janlafwei's avatar

    I was wondering where you were!I missed reading your beautiful writing. And OMG you are missed

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    1. Carol Ann Siciliano's avatar

      Hello, Janet! This is so lovely. Your kind words warm me and encourage me. I send you a big hug.

      Like

  4. Platypus Man's avatar

    Welcome back – it’s lovely to have your elegant and informative prose, and colourful photos, back in my inbox. You have plainly kept busy during your absence from the blogosphere!

    I chuckled to learn that at the farmers’ market you like to “collect as many conversations as cucumbers”. If I were to say that, it would indicate that I am less loquacious than a Trappist monk. In my humble opinion, cucumbers should be left where Nature intended them to be, which is a long, long way from any farmers’ market!

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  5. Thistles and Kiwis's avatar

    Oh my! How wonderful to have you back in the world of blogging! I woke up this morning to see you post and smiled as I always so enjoy your posts. Your words have brought me joy, and the wonderful paintings by Amy Sherald have brightened up my day.

    My husband and I are in Hamburg at the moment for a few weeks before heading up to Stockholm, so no NZ content at the moment, but I am still blogging!

    Like

  6. Laurie Graves's avatar

    Woo-hoo!!! So good that you are blogging again. Really, your post made my day. (I, too, am blogging again.) Double the pleasure was being introduced to Amy Sherald. My oh my, what an artist! Those colors, the details, and the way she portrays emotion. I will be on the lookout for her. We have several good museums in Maine, and who knows? Her work just might make it this far north.

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