Delights: March 27 to April 2

March 27: Our municipal public works folks took advantage of surprisingly warm temperatures to flush our neighborhood fire hydrant. Water gushed into the street and formed a wide fast-moving stream along one curb. Elementary school children waiting for their bus gathered on its banks, then in the shallows, and at last in the main channel. 

Teachers may be mystified by so many wet sneakers this morning, but we won’t be.

Kevin took this photo of cherry blossoms while cycling on Hains Point in Washington, DC.

March 28:  The main street in our town was lined for more than a mile with people waving flags and holding signs. Winter coats sported homemade buttons and faces sported smiles. Passing cars honked their support. We had gathered to celebrate goodwill, integrity and democracy — and to embody our conviction that America’s fundamental decency and promise is unabated. In fact, as I shared hugs and conversation with a dozen old friends, I witnessed the power of community and service. 

One sign read, “Everyone is our Neighbor.” May all our choices affirm that.

Bonus: I read an article posing this question, and so I ask you: What do you believe? What do you teach? 

On this busy Saturday, I also walked to our local book store to patronize my favorite chocolatier, Kingsbury Chocolates. We will host my sister and her family for Easter; I know we will all enjoy this basket for grownups!

March 29: An easy 20-minute walk from my house is the Eden Center, a festival of Vietnamese restaurants and bakeries, salons and shops. Founded decades ago by people who had fled Vietnam after the fall of Saigon, the Eden Center has attracted visitors from up and down the East Coast. Despite its fame, its proximity and my love for Vietnamese food, I’d been only once. 

Last week, though, I and three friends gathered to celebrate a birthday. Two of my friends, both childhood immigrants from Vietnam, selected the restaurant and ordered the food: two soups, a crepe (resembling an omelet) and lots of catfish, all prepared differently. I dove into our feast — lingering well past the calls of hunger but firmly within the demands of pleasure. We had so much fun that we resolved to celebrate all our birthdays this way. I’m thrilled that our next communal birthday is just a month and a half away.

I had a wonderful opportunity to enjoy Vietnamese food — and its city streets and kind citizens — when I visited Vietnam in 2018. This view of a busy colorful street in Hanoi is one of my favorites.

March 30: I was thrilled yesterday to receive a text from my friend Kathy wondering whether I’m be at the Smithsonian American Art Museum today. Kathy and several buddies would be visiting the museum to see the Grandma Moses exhibition; would I like to give them a tour? Definitely, yes. I love engaging smart, eager people about art, and I knew Kathy’s group would give me a lot to think about.

But the best part was Kathy’s request. Kathy had asked me — tentatively, gratefully, humbly — to do something that I love to do, to do something that I think I’m good at. By her invitation, I felt truly seen and valued. 

I suspect that you, dear readers, are pretty good at expressing gratitude for — and to — people in your lives. How often, though, do I invite people to exhibit their special gifts, the ones that fill them (and others) with joy, the ones that infuse them with a sense of purpose, the ones that maybe even send a tiny morsel of love into a world abounding in love and yet always needing more?

Maybe my first step is to pay attention to the special gifts exhibited by people in my life. I’ll look for the joy, or the purpose, or the love. And then I’ll ask them to share a morsel of that gift with me. Exactly as Kathy did.

Bonus: No action is too small when done out of love, because as Mother Teresa said, our love makes it infinite.

In Harvest Time, 1945, by Grandma Moses, American (1860-1961), oil on high-density fiberboard. Smithsonian American Art Museum.
The Harvesters, 1565, by Pieter Bruegel the Elder, Netherlandish (1525-1569). I enjoyed inviting a comparison between the Grandma Moses painting and this one hanging in the Metropolitan Museum of Art, which I admired last week.

March 31: “Frenetic energy. Going everywhere. Resisting calm. Anchored — but also kind of loopy.” Nope, that’s not a description of me. Rather, these phrases describe a sculpture by contemporary artist Chakaia Booker, which the National Gallery of Art featured in a recent Finding Awe workshop.  

The first time I saw Booker’s work — at the National Museum of Women in the Arts with my friend Allison — I found myself captivated (and mystified by my reaction). After all, that monumental piece was made entirely of black rubber tires, which Booker slashed, twisted, contorted and even filleted to create a three-dimensional piece that practically leaps from the wall. I’d never seen anything like it and couldn’t forget it.

So imagine my delight in being able to invest 90 minutes in intense community exploration of an even larger piece temporarily at the National Gallery of Art. I loved how my meaning-making mind insisted on finding, amid all that rubber, a delicate water course, clutches of marsh grass, dangling tree roots, and even beds of flowers. Even though I agreed with the high-energy descriptors and offered a few myself, the funny thing was this: the longer I gazed, the calmer I felt. 

I guess my job is not to understand art’s effect on me, but instead simply to let it in and see what happens. 

It’s So Hard to Be Green (detail), 2000, by Chakaia Booker, b. 1953, Newark, New Jersey. Rubber tires and wood. Courtesy artist Chakaia Booker and David Nolan Gallery.

April 1: Probably chasing a dream from when I was ten years old, I subscribe to Archeology magazine. One article amazed me, telling about a nearly mile-long swath of thousands of shallow depressions — called the Band of Holes — that snakes high in Peru’s coastal desert above a fertile valley. The band averages around 60 feet wide, and the holes range in size from three to six feet across and 1½ to 3 feet deep.

The archeological mystery is the band’s age and its purpose. Based on a large sample of potsherds, archeologists believe that the band could be 1,000 years old. They believe it was constructed by the powerful mercantile-based Chincha Kingdom for use as a mile-long public marketplace, with groups of people bartering, say, twenty holes of maize for ten holes of cotton. 

When the Inca succeeded the Chincha around 1400 C.E., however, the holes became infrastructure for the collection of tribute. Archeologists also believe the very discernible patterns of holes and cut-through paths established an accounting system, akin to the Inca string-and-knot system known as quipu.

My mind lingers on the marketplace, though. I imagine growers and makers meeting weekly for the world’s longest farmer’s market. Cucumbers, anyone?

This photo from Archeology magazine shows just a bit of the Band of Holes. If you want to see more cool photos, you can read the article here.
Quipu Viscera, 2025, by Cecilia Vicuña, b. 1948, Santiago, Chile. This site-specific installation of dyed and unspun wool was exhibited at the Smithsonian American Art Museum in 2025.

April 2: Ok, shall I mention the newly released 2026 Mahjong card? (I now care passionately about these things.) With my friends, who recently welcomed me into their “Wizards of Mahjong” group, I tackled the new card again today, with mixed results. Actually, no: my results were uniformly favorable — I had a great time. I just didn’t win!

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If you’d like to browse my past delights, please consult the “word cloud” featured at the very bottom of this post. Find a theme or two that interests you and sift through the sands. Or learn a bit more about my Blog by visiting my Welcome page. You’ll also see links to four essays that were published in print magazines. I’m glad you’re here!

This Easter Tree was created and photographed by my friends Ralph and Debra. It features three palm crosses I made for them during church on Sunday.

11 thoughts on “Delights: March 27 to April 2

  1. Thistles and Kiwis's avatar

    What a wonderful week! Being asked to do the tour was such a wonderful gift from your friend – a tribute to your knowledge and abilities. I do love the Easter tree. I’ve seen a few around here.

    Liked by 1 person

    1. Carol Ann Siciliano's avatar

      Thank you for understanding the gift of my friend’s request! Even though I was (theoretically) inconvenienced, I found myself surprisingly buoyed by the request. My quest for Delights gave me an excuse to interrogate the feeling — I’m thrilled it resonated with you, Barbara!

      Liked by 1 person

  2. Platypus Man's avatar

    “What do you believe? What do you teach? ” Ironically, you answered this question in your previous paragraph when you quoted the sign that read “Everyone is our Neighbor.” I’m not sure I teach it, but it is the way I try to live my life. I like to think that today kindness, whether to friends, family or total strangers, is fundamental to who I am.

    You have a mall full of Vietnamese food outlets within 20 minutes of home but have been there only ONCE? Really? Personally, I’d set up camp there!

    Liked by 1 person

    1. Carol Ann Siciliano's avatar

      Thank you for engaging with my question, Mr. P., and for acknowledging your own gift for kindness. Do you teach it? I’m sure you do: I’m a firm believer in the quote attributed to Saint Francis: “Preach the gospel constantly; if necessary, use words.” Don’t our actions do most of our teaching? Yours certainly do!

      And, yes, you are right to tease me about not making it to the Eden Center. My excuse was the paucity of parking, but of course I’ve always been within walking distance. Expect to see me there again soon. I wish you and Mrs. P. could join me!

      Liked by 1 person

      1. Platypus Man's avatar

        Thank you, Carol Ann, for the loving kindness of your words. They are truly appreciated.

        Yes, I too wish we could meet up with you over a flavoursome Vietnamese feast, or perhaps something tastily Thai or cheerfully Chinese. Or maybe even, quite simply, over a nice cup of tea and a piece of cake! We would, I’m sure, have lots to talk about (including parking problems, which these days weigh heavily on my aging brain!)

        Like

  3. Laurie Graves's avatar

    Interesting to compare Grandma Moses with Bruegel. Certainly a similar subject matter if not style. I think Bruegal gave a better sense of the actual labor involved and how much hard work is involved. Grandma Moses’s is more remote, perhaps even idealized. Sounds a little harsh, I know, and I don’t mean to suggest her work doesn’t have charm and appeal. Anyway, would be interested in hearing your take. Finally, It’s So Hard to Be Green knocked my socks off. Even just seeing the picture. So much truth in the title.

    Liked by 1 person

    1. Carol Ann Siciliano's avatar

      I really appreciate your commentary, Laurie; keep ’em coming. I agree with you — as a matter of my personal preference, I find Bruegel’s depiction more emotionally, intellectually and artistically compelling. You are right about Grandma Moses’ idealizing sensibility: she painted her memories from 50 or 60 years earlier. I also like your choice of the word “remote.” That resonates with me; that distance makes her work hard for me to love.

      The Booker, however, just grabs me by the arm and pulls me in. I’m thrilled you liked it too!

      Like

  4. Ju-Lyn's avatar

    I love it when we encounter postive moments of community – if we had more of these all over. It begins with each one of us. You have demonstrated this countless times in your week. Even though I don’t live in proximity, I am glad we share in spirit and this space.

    I love the cherry blossoms image. It is so spring and beautiful.

    Like

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